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Best Motion Picture

• All the King's Men (Robert Rossen Productions; Columbia)
• Battleground (MGM)
• The Heiress (Paramount)
• A Letter to Three Wives (Twentieth-Century Fox)
• Twelve O'Clock High (Twentieth-Century Fox)

Best Actor

• John Wayne, Sands of Iwo Jima
• Broderick Crawford, All the King's Men
• Kirk Douglas, Champion
• Gregory Peck, Twelve O'Clock High
• Richard Todd, The Hasty Heart

Best Actress

• Susan Hayward, My Foolish Heart
• Jeanne Crain, Pinky
• Olivia de Havilland, The Heiress
• Deborah Kerr, Edward, My Son
• Loretta Young, Come to the Stable

Best Actor in a Supporting Role

• John Ireland, All the King's Men
• Dean Jagger, Twelve O'Clock High
• Arthur Kennedy, Champion
• Ralph Richardson, The Heiress
• James Whitmore, Battleground

Best Actress in a Supporting Role

• Ethel Barrymore, Pinky
• Celeste Holm, Come to the Stable
• Elsa Lanchester, Come to the Stable
• Mercedes McCambridge, All the King's Men
• Ethel Waters, Pinky

Best Directing

• Joseph L. Mankiewicz, A Letter to Three Wives
• Carol Reed, The Fallen Idol
• Robert Rossen, All the King's Men
• William A. Wellman, Battleground
• William Wyler, The Heiress

Best Writing

Motion Picture Story

• Harry Brown, Sands of Iwo Jima
• Virginia Kellogg, White Heat
• Clare Boothe Luce, Come to the Stable
• Douglas Morrow, The Stratton Story
• Shirley W. Smith and Valentine Davies, It Happens Every Spring

Screenplay

• Carl Foreman, Champion
• Graham Greene, The Fallen Idol
• Joseph L. Mankiewicz, A Letter to Three Wives
• Robert Rossen, All the King's Men
• Cesare Zavattini, The Bicycle Thief

Story and Screenplay

• Sidney Buchman, Jolson Sings Again
• T. E. B. Clarke, Passport to Pimlico
• Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero and Roberto Rossellini, Paisà
• Helen Levitt, Janice Loeb and Sidney Meyers, The Quiet One
• Robert Pirosh, Battleground

Cinematography

Black-and-White

• Joseph LaShelle, Come to the Stable
• Frank Planer, Champion
• Leon Shamroy, Prince of Foxes
• Leo Tover, The Heiress
• Paul C. Vogel, Battleground

Color

• Charles G. Clarke, Sands of Iwo Jima
• Winton Hoch, She Wore a Yellow Ribbon
• Robert Planck and Charles Schoenbaum, Little Women
• William Snyder, Jolson Sings Again
• Harry Stradling, The Barkleys of Broadway

Art Direction

Black-and-White

• Cedric Gibbons and Jack Martin Smith, art direction; Edwin B. Willis and Richard A. Pefferle, set decoration, Madame Bovary
• John Meehan and Harry Horner, art direction; Emile Kuri, set decoration, The Heiress
• Lyle Wheeler and Joseph C. Wright, art direction; Thomas Little and Paul S. Fox, set decoration, Come to the Stable

Color

• Edward Carrere, art direction; Lyle Reifsnider, set decoration, Adventures of Don Juan
• ***Cedric Gibbons and Paul Groesse; Edwin B. Willis and Jack D. Moore, Little Women*
• Jim Morahan, William Kellner and Michael Relph, art direction, Saraband

Sound Recording

• Republic Studio Sound Department, Sands of Iwo Jima
• Twentieth Century-Fox Studio Sound Department, Twelve O'Clock High
• Universal-International Studio Sound Department, Once More, My Darling

Music

Song

• “Baby, It's Cold Outside,” Neptune's Daughter, Frank Loesser, music and lyrics
• “It's a Great Feeling,” It's a Great Feeling, Jule Styne, music; Sammy Cahn, lyrics
• “Lavender Blue,” So Dear to My Heart, Eliot Daniel, music; Larry Morey, lyrics
• “My Foolish Heart,” My Foolish Heart, Victor Young, music; Ned Washington, lyrics
• “Through a Long and Sleepless Night,” Come to the Stable, Alfred Newman, music; Mack Gordon, lyrics

Scoring of a Comedy or Dramatic Picture

• Aaron Copland, The Heiress
• Max Steiner, Beyond the Forest
• Dimitri Tiomkin, Champion

Scoring of a Musical Picture

• Roger Edens and Lennie Hayton, On the Town
• Ray Heindorf, Look for the Silver Lining
• Morris Stoloff and George Duning, Jolson Sings Again

Film Editing

• John Dunning, Battleground
• Harry Gerstad, Champion
• Frederic Knudtson, The Window
• Robert Parrish and Al Clark, All the King's Men
• Richard L. Van Enger, Sands of Iwo Jima

Costume Design

Black-and-White

• Edith Head and Gile Steele, The Heiress
• Vittorio Nino Novarese, Prince of Foxes

Color

• Kay Nelson, Mother Is a Freshman
• Leah Rhodes, Travilla and Marjorie Best, Adventures of Don Juan

Special Effects

• Mighty Joe Young (Arko Production; RKO Radio)
• Tulsa (Walter Wagner; Eagle Lion)

Short Subjects

Cartoon

• Canary Row (Merrie Melodies Series) (Warner Bros. Cartoons, Inc.; Warner Bros.) (Nomination withdrawn by producer.)
• For Scent-imental Reasons (Merrie Melodies Series) (Warner Bros. Cartoons, Inc.; Warner Bros.)
• Hatch Up Your Troubles (Tom and Jerry Series) (Frederick Quimby, producer; MGM)
• The Magic Fluke' (Fox and Crow Series) (United Productions of America; Columbia)
• Toy Tinkers (Donald Duck Series) (Walt Disney Productions; RKO Radio)

One-Reel

• Aquatic House Party (Grantland Rice Sportlights Series) (Jack Eaton, producer; Paramount)
• Roller Derby Girl (Pacemaker Series) (Justin Herman, producer; Paramount)
• So You Think You're Not Guilty (John McDoakes Series) (Gordon Hollingshead, producer; Warner Bros.)
• Spills and Chills (Sports News Review Series) (Walton C. Ament, producer; Warner Bros.)
• Water Trix (Pete Smith Specialties Series) (Pete Smith, producer; MGM)

Two-Reel

• The Boy and the Eagle (William Lasky, producer; RKO Radio)
• Chase of Death (Irving Allen Productions)
• The Grass Is Always Greener (Gordon Hollingshead, producer; Warner Bros.)
• Snow Carnival (Two-reel Technicolor Series) (Gordon Hollingshead, producer; Warner Bros.)
• Van Gogh (Gaston Diehl and Robert Haeessens, producers; Canton-Weiner Films)

Documentary

Short Subject (tie)

• A Chance to Live (March of Time Series) (Richard de Rochemont, producer; Twentieth Century-Fox)
• 1848 (A. F. Films; French Cinema General Cooperative)
• The Rising Tide (National Film Board of Canada; St. Francis-Xavier University)
• So Much for So Little (Warner Bros. Cartoons, Inc.; Warner Bros.)

Feature

• Daybreak in Udi (British Information Services; Crown Film Unit)
• Kenji Comes Home (Paul F. Heard, producer; Protestant Film Commission)

Special Awards

• To The Bicycle Thief (Italy), voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1949
• To Bobby Driscoll, outstanding juvenile actor of 1949
• To Fred Astaire for his unique artistry and his contributions to the technique of musical pictures
• To Cecil B. DeMille, distinguished motion picture pioneer, for 37 years of brilliant showmanship
• To Jean Hersholt for distinguished service to the motionpicture industry